David Kanowsky is the Kudos Movie Critic, The Movie Man.
Stan & Ollie is a film to see if you remember and loved the comic duo, Laurel & Hardy, or even if you didn’t love them. The outstanding portrayal of the two men — makeup, posture and especially the acting together almost made me believe that I was watching the legendary pair themselves.
Dick Cheney was a congressman from Wyoming for eight years, but is best remembered for his two terms as vice-president under President George W. Bush. It was in the early years of that tenure (September 11, 2001) that we were attacked by the Mideast terrorists and faced the terrible dire days thereafter.
Mary Queen of Scots is a film that scores high on production values, like cinematography, costumes, makeup, scenery, etc.
On the Basis of Sex is the story of a young woman who wants to be a lawyer and that is one focus of her life. She is married with a young child and that is equally important to her.
Mary Poppins Returns was a surprising delight for me. I did not believe that any film could match the wonder of the 1964 Julie Andrews film. This version of the Poppins story comes close.
The Mule shows us that age does not necessarily have to be a limit on one’s talent or career. Look at Clint Eastwood, who at age 88 , directed and stars in this film. The story, based on true events, is about a 90-year old WWII veteran, who has a successful business and falls on hard times.
Green Book takes place in 1962 when our country was being shaken to its roots by the issue of racism. Violent demonstrations in the south and even some intense action in the government fighting against integration were common news headlines during those years.
There is always a bit of concern that any film with Sylvester Stallone as Rocky Balboa, simply rehashes the Rocky film genre. And this film is like that. It might well be named Rocky VII, or whatever might be the appropriate suffix.
Instant Family is based on the true story of the experience that the screenwriter Sean Anders and his wife went through adopting their children.
So now we have the return of that Swedish young woman with the dragon tattoo, in a sequel to the three films of the Stieg Larsson novels. It happens very often that a sequel, produced off the mainstream of the originals, is of less quality than the originals. The Girl in the Spider’s Web fits that appraisal, and below.